They modeled each elemental “bending” discipline, in which characters can manipulate certain elements with their minds, after a specific martial arts discipline.
But even in a time before allegations of cultural appropriation could cancel a show (Ah, 2005), the creators struck a careful balance and avoided it. Upon a 2020 viewing, viewers familiar with woke culture may wonder if this show, written by two white guys, might stray into the territory of cultural appropriation. It’s a wise, culturally diverse children’s show that differs from the Western cultural monopoly in most American TV. The Asiatic world of Avatar: The Last Airbender pays homage to Eastern culture. It may have well-rounded characters, serious subject matter, and detailed world-building, but it also offers timeless critiques of American society. But Avatar is more than just a quality show. The show’s success fifteen years after its 2005 premiere proves the enduring power of its storytelling. At the time of their release, they ranked consistently in the platform’s top ten. Amidst the pandemic, Avatar: The Last Airbender and its sequel Legend of Korra both returned to Netflix.
